Aaron Sorkin and the use of Power
February 5, 2007
In the last episode of Studio 60 on the Sunset Strip, there was a scene between Jordan (a high-powered TV exec, recently pregnant) and a new, attractive female employee. The scene began with Jordan insulting the woman and ended with the new employee replying, “There’s a new pretty girl in town, and she’s not pregnant.”
The scene was an unusually quick and lively break in a show that’s gotten steadily more unfunny and somewhat boring. The romantic entanglements are convoluted and bizarre (Danny’s stalking of Jordan is more creepy than touching) and the actual skits are, if possible, much less funny than most SNL skits.
It occurred to me that Sorkin (creator and writer of Studio 60) writes best when he writes about power struggles – whether it’s a hotshot lawyer taking down a high-powered general, the machinations of life in the Oval Office, or the backstage bickerings of a television show. His writing is snappiest when it involves verbal sparring.
![]() |
![]() |
![]() |
When Studio 60 began I was hoping to see more of television’s backstage politics, but I think the last few episodes have been full of the kind of bizarre romantic entanglements that bogged down Sports Night. And, while Ed Asner’s rumbling proclamations about MacAOWWW sound weighty, they don’t have the same weight as the presidential speechifying of President Bartlett.
Here’s hoping Sorkin gets more power struggles into Studio 60, and leaves the comedy and love triangles to other shows.





